Soft Autumn.

The complete palette – colour names, exact references, and personal harmonies – is included in your dossier.

Soft Autumn is the gentlest of the warm seasons – colouring of dried grass, of linen worn into softness, of bronzes that have lost their gleam. The palette is built on warm dust: nothing gleams, nothing announces itself, every colour holds at the lower end of the chroma scale. The maison observes that Soft Autumns frequently mistake themselves for True Autumns and reach for saturation – a bright rust, a deep teal – that overpowers their gentler register. The signature of Soft Autumn is restraint within warmth; the elegance lies in colours that rest rather than perform. The face wearing Soft Autumn looks at peace – the features integrate with the cloth, the skin warms quietly, the whole settles into composure. Cool tones drain the face; high saturation overwhelms; pure black or stark white reads as a shock against the natural colouring. The palette serves as both a wardrobe map and a discipline – a reminder that the season's power is in its quietness.

Note de transition.

As hair silvers, Soft Autumn's palette holds remarkably well. The warmth of the existing colours integrates with cool silver hair, creating a balance the original palette only hinted at. The very warmest extremes (terre cuite, cuir noisette) recede slightly; the foundational neutrals (lin lavé, pierre de taille, sauge oubliée) become more central. Soft Autumn is among the seasons where silvering creates the most refined expression.